Detente

We have one week to go. Next Monday we fly to LA to pick up our visas and then we’re on a plane to Spain. It’s down to the wire. And while I’ve been handling most of the list over the last 6 months, the last few things are going to be a group effort and requires negotiations.

Jeff is a person who likes to cross the finish line in more of a ‘Just in Time’ fashion. In direct opposition to my ‘The Early Bird Catches the Worm’ philosophy. Today is a holiday in the US, so he’s home and we’re mopping up. He’s packing up his computers, VR stuff and other things, I have no idea what they are. He has purchased special water proof bins for these things. They will be zip tied and wrapped in plastic.

I’m not allowed to go in the room where he’s packing these things. He wants to focus and encounter no interruptions. I”m sure he’s doing what he needs to do with the piles that he’s created around the house. Some how he’ll figure out how to get it all into boxes or the garbage bin.

Music is important to this task. Usually, we listen to our own music via headphones. But today, it’s on full speaker and apparently we don’t have to same taste in music. It’s a realization that seems to have escaped me for the last 18 years.

Jeff was a DJ at a roller skating rink when he was in high school. He’s a connoisseur of 80’s music, all the way through to last week, and he has a vast collection of it. My musical tastes are more eclectic. I had older brothers and sisters so I have things on iTunes from the 70’s and even as far back as the 1930’s.

Jeff got to hear these songs –  many that he’s never heard before.

‘How can you not know who Andre Botcelli is?’ I ask him.

‘Sorry, but I’ve avoided opera so far.’

‘Well, you know that Paolo Conte’s Via Con Mi  is my go to on any airplane take off. It’s cheerful and optimistic.’ I’m not a good take-off-er.

Heavy sigh – ‘Yes, I know. But your playlists are curious.’

‘How so?’ I asked, ready for battle. Anyone who doesn’t like Edith Piaf and ‘Schmeilson in the Night’ is suspect, as far as I’m concerned.

‘Well, usually you build it so that it starts out with some slow stuff and builds up to something head banging, with a heavy base. Then you take the listener down and drop them off gently at the end. This assault is more scattered and random.’

I close my eyes and breathe.

‘Have you never heard of ‘Shuffle’? It means that tracks are played randomly. I don’t choose it.’

‘Yeah – well, whatever algorithm is ‘choosing’ it, is just sad.’

‘Well it might make you sad, but I’ll always be ready for Jennifer Hudson’s ‘I Am Changing‘. Dream Girls is a timeless anthem to women overcoming and rising up.’

‘Maybe, but it’s startling. It’s like your songs stab the listener when they play, before you figure out what you’re listening to.’

I thought he should be careful bringing up stabbing, but the knives are gone. We’re going to be spending ALOT more time together when we get to Spain. I think I can turn him on to Edith, Andre, Yo-Yo, The Spin Dotors and Depeche Mode. And perhaps, just perhaps, I can reorder my music so it’s less of an assault on the senses. And I’m sure I’ll come to appreciate Cake and Jane’s Addiction, eventually.

 

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